The close of the moving-picture show has , by default , it ’s last countersign . But , sometimes the scene is stolen by a wrap - up that do before ending , a thematic close that overshadow the existent close .
In response tosome Modern thoughts fromZack Snyder on Watchmen ’s polarizing ending , a treatment begin about some of the movie ’s good close moments that may have even shadow any problems with the movie ’s ending :
https://gizmodo.com/zack-snyder-explains-how-he-saved-watchmen-from-terry-1535347108
MasterSlacks
You know , the more I think about it the more I realize the bit before the credit . . whether place squid or Dr. Manhattan antics . . really is n’t all that of import .
The material ending was earlier .
There ’s really no way to watch over that up . Even when I register it for the first prison term , that ’s what was going through my head all the mode through the last of the leger .
I think that ’s why I did n’t even deal about the space calamary the first sentence around , and scarce react to Snyder ’s variety .
Phos
You ’re bedevil climax with ending . If you want the thematic ending , I ’d say it ’s when Manhattan say , “ Nothing ever ends . ” He kicks the legs out from Ozymandias the same way Ozy kick the ramification out from Nite Owl and Rorschach , and completely destroys the clay of any idea of “ adept guys ” or “ tough guys ” triumphing “ in the death . ”
That part ’s not as exciting , but it ’s really important . More important that any squid or burst or slo - mo dropkick .
So what do you think ? Can a thematic ending eclipse a problematical chronological ending ? And what are some of your favorite scene that stole the show from the picture show ’s literal ending ?
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