A proper Steadicam getup that cancapture smooth trailing and Salmon Portland Chase shotsusually requires 1000 of dollar ( not including the photographic camera ) and a highly - skilled operator . As a cheaper workaround , these filmmakers used a gyro - stabilize television camera dawdler that they held in front of them like a traditional film camera .
The approach by Brazilian production houseSpace Criativeis unorthodox , to say the least . But the upshot are telling , and irregular filmmaking at its fine . Assuming that what we ’re seeing in this color - corrected footage was actually enamour by the DJI Phantom , that is .
https://www.facebook.com/0/videos/1474141615992846/
Another advantage to this approach , as demonstrated at the end of this video , is that the shot can change from a low - angle chase to an aerial view of the activity when the videographer only have go of the drone and allow a airplane pilot take over .
It also poses some unique challenge . Steadicam operators rely on a strategically - position picture monitor to show them how a shot is framed and what obstacle they might extend into or step on as they move . Because the tiny camera on drone do n’t have an LCD display with a live preview , the videographer here has to blindly frame in a gibe .
If filmed in 4 thou , it does result in plenty of resolution for cropping down the footage in post - output and stiffen up the frame . But the results are still dependent on making sure the poke ’s television camera is utterly angled while it ’s being persuade , which is n’t as comfortable as this videographer makes it look . However , if you ’re on a sozzled budget , lots of pattern will believably make this a cost - effective proficiency .
[ Facebook – 35mm.lifeviaDIY Photography ]
CamerasDronesHacksVideography
Daily Newsletter
Get the best tech , scientific discipline , and culture news in your inbox day by day .
news program from the future , save to your present tense .
You May Also Like
