Castlevania is on its wayback to Netflix , with more bloody monsters to slay and more villainous scheming than you may judder a Belmont - approved whip at . But it faced a bit of a trouble for writer Warren Ellis : he ’d already killed off his scoundrel , recall there would n’t be a young season . So where does Castlevania go next ?

With the impending arriver of the third season of Frederator Studios and Powerhouse Animation’skickass celebrationof whippingvampsand good friend cursing the hell out of each other , io9 speak to Ellis — the lead author who has taken the mankind of Konami ’s dear sidescrolling activity game and plough it into a flaming , curse word - filled phantasy epic for Netflix for all three seasons — as well as Castlevania administrator producer Kevin Kolde about the response to the show ’s 2d season , and what ’s to amount for our heroes and villains likewise when the show returns .

Suffice to say : look Vlad ’s ladto be sad .

Sypha and Trevor are back, and there are still monsters to whip and/or ice magic to smithereens.

Sypha and Trevor are back, and there are still monsters to whip and/or ice magic to smithereens.Image: Netflix

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io9 : Looking back at time of year two , the reaction to that when it come out was on another spirit level , even liken to the achiever of time of year one . With that heighten embrace of the show , was there a insistency total into time of year three to — I’m so sorry , I can not think of another way to say this — raise the stakes , as it were ?

Warren Ellis : HA ! Yeah , I see it come and I still laughed . [ uphold express mirth ] . Well … I did n’t see any of that . To this day , I ’m not sure if if anyone actually watched season two apart from a few of us . So there was no insistence on me , ‘ cos I experience in an absolute vacuum . I ’ve really got no estimate how season two was received — or , as I said , if anyone actually watched it ! The only pressure was the pressure I feel to struggle over with season three . And you make love , hope the three people who check season two control stick with it for another time of year . Kevin might have a unlike slant on it . He talks to multitude , I do n’t . They keep me in the basement .

SEASON THREE LET’S GO, INDEED.

SEASON THREE LET’S GO, INDEED.Image: Netflix

Kevin Kolde : Well , I ’m pretty much on the same pageboy ! I think we felt up the press based on the success of season two . It ’s been sort of swell to process the upheaval , that we ’re favourable to exercise with a great squad of people and just sort of live this stuff . It ’s not like there was [ pressure]—they were gung - ho . “ time of year three , allow ’s go . ” So yeah , not really .

io9 : One of the big things that happens in season two is that our torpedo confront the big badness , they go to Dracula ’s castle , they fight … and he ’s defeated . I do n’t really want to say “ dead ” because , well , Dracula , and you know how that change by reversal out . How does Dracula ’s current absence seizure , for want of a better word , linger over this Modern time of year ?

Ellis : Oh , well that was the antic , was n’t it ? Because I did n’t know we were go bad to get a season three . I thought , “ Well … shit , I better actually get the conclusion in season two ! ” And then Netflix asked for a third time of year , which was delicious . And surprising . And wonderful . And also one of those , “ Oh , shit ” moments that you always relish as a writer . That said , once we get the offer for time of year three , it come to me , because I had all those characters aside from Dracula and Lisa and Godbrand — god residuum Godbrand . I had all those characters in play across a whole clod of the cerebral hemisphere , really . And I feel like a lot of those characters still had a fortune of situation to go , and arcs that had been incomplete .

Get ready for psychedelic horror.

Get ready for psychedelic horror.Image: Netflix

Isaac is the obvious one , in that , yeah — that was open - ended . There was a degree of culmination in the arc in season two for him , but not the whole individual . And it became clear to me that in an additional time of year , I could do something about the whole soul . So , the show now becomes very much about the stories generated out of the characters themselves . That initial engine is leave out , but now I ’ve got seven or eight locomotive that are just as crowing . And all those characters are equally as interesting to me as Dracula was .

Kolde : I think it ’s also the vacuity , right ? That allows those characters story to come to the forefront because Dracula is n’t there anymore — and how does that impact the sort of journey they ’re on ? So , he ’s not there but he ’s sort of very much there , in the motivating and background with what these character are doing .

io9 : One affair that was perhaps surprising to people coming into the 2d season was , the show sort of flipped the switch on its tempo and we got to spend a lot more time with the characters just talk to each other — there were a quite a little more graphic symbol - driven arc rather than necessarily the action that was such a major part of the first season . Now that you ’ve set out all these unlike “ engines ” going , what ’s the balance between that part focus and the natural process - side of Castlevania in season three ?

He may no longer be at Sypha and Trevor’s side, but Alucard has some new guests at Dracula’s castle.

He may no longer be at Sypha and Trevor’s side, but Alucard has some new guests at Dracula’s castle.Image: Netflix

Kolde : It ’s always been interesting to balance — I cogitate time of year three serves both of those affair . We have ten episodes instead of eight , so we have more characters , and patently get to spend more time worry about those fibre , and understanding their journeying . That requires them to be able-bodied to talk ! Which , for me , was one of the best parts , actually , of season two , and now season three . I love the way that Warren writes these characters , and their dialogue is interesting . It ’s heavily in vivification because we do n’t have the performances on film , of the worker . We ’ve got their great outspoken performance , but we have to make that interesting from an animation standpoint — which is a citation to our theater director , Sam Deats and the unbelievable storyboard artists [ at Powerhouse ] . But I think it ’s a good balance , I ’ve always strive to have that residual . I think the action is n’t meaningful if we do n’t care about the character in their narration .

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Ellis : Kevin saved it . My first reaction was , “ No , the balance is wholly fucked ! ” I ’m at the point I can see this understandably , and experience the things I did wrongly . But add to what Kevin said — and please disregard the premature condemnation — what we do have are these incredible actors , and the performances they ’ve given us have been so inventive and so rich that they have really made me go in Modern direction . And therefore , there is a great deal of character geographic expedition that really come in from things the actors did in their performances that was Modern , that was inventive — things that gave us something to think about . We do have the Castlevania activeness jell pieces . I always desire that — but my first line of notes was “ Season three is the psychedelic repulsion season . ” Psychedelic repulsion also bring with it some talking and philosophic prospect . It becomes intellectual , as well as worked up in its own way . I wish to cogitate of it mighty now as a richer , denser season than season two . Not least because we have a lot more move on and a lot more eccentric interacting , and we ’re introducing a mint more characters to interact with our late returning cast members .

The squad from Styria hatches a plan.

The squad from Styria hatches a plan.Image: Netflix

Kolde : I do n’t retrieve anybody ’s going to be disappointed . If you ’re here for the action , I think you ’ll be very glad if you ’ve seen the trailer . If you ’re in it for the characters and the dandy performance , you ’re in for just as much of a dainty .

Ellis : I do reckon I ’ve got about half - a - dozen good gag in this one , as well .

io9 : At the terminal of the last season Sypha and Trevor split off from Alucard , and he continue back at his papa ’s former castling to languish in the grief of everything that ’s just transpired for him . So , while they ’re off doing their very cool - looking giant - track down material we ’ve seen in the laggard , what can you tease about Alucard this time of year ?

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Ellis : Well , he ’s the star of the show . As ever , he ’s very attractively deplorable . He ’s beautifully sad in the castle . He ’s attractively deplorable by the river . He ’s beautifully sad in the woods . I stand for , you know . He ’s Alucard .

io9 : That ’s at least three sequence of story there .

Ellis : Well , you know , that ’s like — I’ve been decently there , likely . But he does get a couple of visitant ! He does get a young human and cleaning lady who assay him out because … I do n’t sleep together how much I can get into , but they have this history with lamia at home in northerly Japan . And they would care Alucard to teach them how to defend vampires . So he move from being part of the partnership in season two to being part of a mentorship in season three — which is kind of a big change for him . He must interact with people , which he ’s never been bully at . On the other mitt , he does n’t have anyone there call him a cockwart . So , it ’s all good for Alucard .

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io9 : This time of year , there ’s a quite a little more of the villains to focus on — you touched on Isaac already , but Carmilla is off doing her own thing . What can you tell us about her journeying ?

Ellis : Well , as Kevin pointed out , there is now a major power vacuum in Eastern Europe . Dracula is gone . The night creatures have been scatter , the vampire ground forces is defeated . Big previous power vacuity . But where Carmilla comes from , Styria , has always been static because it ’s been feed by her and her three female lamia cohort . The four vampire sisters of Styria have bleed it for ages . It ’s terribly unchanging . But everything east of Styria is not . So Carmilla go through an chance — the possibility for strain her territory , I ’ll put it that way .

Kolde : Again , we get to meet her three vampire sisters which I cerebrate citizenry will really enjoy . Crazy characters voice by Yasmine Al Massri , Jessica Brown Findlay … so , I think citizenry are in for a dainty .

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Ellis : Listening in to recording sessions , just listen to all four of them pop off at it together was awing . I want to say those sessions extend long just for the amount of laughter between the four of them . But yeah , the squad from Styria were quite a thing .

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Castlevania return for a third time of year on Netflix this Thursday , March 5 . continue tune up for more from our chat with Warren Ellis and Kevin Kolde later this week , and our full , spoiler - laden thought on the new time of year soon !

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For more , make certain you ’re following us on our Instagram @io9dotcom .

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